Walter
Zettl-A Critique of “Short and Deep”
German-trained classical-dressage
master, rider, lecturer and author Walter Zettl gives his
unabashed opinion in a no-holds-barred article in the December 2001
issue of USDF Connection that is worth reading.
Mr. Zettl got my attention at a clinic at the 2000 USDF
Convention when he said: "ride up in heaven not down in hell".
Obviously he would not prefer the over bent method. "Open the door!
Open the door!" he kept saying when he saw how the riders were
holding the horses in during extensions. Being committed to the
classical riding method myself, I agree with much of what Mr. Zettl has
to say, though I would not be so bold as to express myself in his terms.
I certainly do not place myself in the same company with the masters who
strongly oppose the new modality of training that departs from the
classical method. On the other hand, I can attest to the fact that after
more than fifty years of riding and training horses, and after trying
every conceivable training method, I have settled upon what I think is
the best for me and my horses and students. For me the answer is The
System.
The
horse’s natural balance is disturbed when he is fitted with a saddle,
rider and you put a bit into his mouth to control him. According to Mr.
Zettl, the horse’s “neck is of utmost importance in reestablishing
his balance…If the horse’s head and neck are confined in a short and
deep position, his sense of balance suffers and his way to freedom
through the flight instinct is completely closed”, and may I add
discouraged. According to Zettl, the younger horse needs to be ridden
“long and low with his nose in front of the vertical.” Doing so, he
says, allows the horse to develop his sensitive back muscles. What is
really required is time and patience, a commodity that is costly to the
trainer who wants to get the horse sold for a profit.
In his article Mr. Zettl is critical of the rush to advance the
horse to the next level without taking the time required to develop the
proper musculature which will enable the horse to perform the upper
level movements properly.
One of
the foundation blocks of The System is to work on developing the proper
strength and musculature of the horse; initially, the horse will go
through what I call the “ugly” phase. To me, however, it is a thing
of beauty because I know that as the caterpillar morphs into a beautiful
butterfly, so my horse will eventually possess great beauty and
strength, with freedom of movement, and feel as light a butterfly. I
have ridden horses trained in the new modality and I do not feel the
same lightness and responsiveness that I feel in my own horses.
What the horse needs is a friend who
understands. I totally agree with Mr. Zettl who compares a kindergarten
child to the young horse and points out that to demand that such a child
do first or second grade work, will cause anxiety and loss of interest
and finally depression. If you have ridden as many horses as I have, or
have observed them, then you know that there are some pretty sour horses
in training. My goal is to see to it that my horses enjoy the work. I
challenge them when I have to, but I never ask more of them than they
can give. My greatest
reward is when my horse willingly offers me more than I ask. That is
when I know he is ready to move up to the next level. Patience is what
is required, patience and good riding. The System is not for everyone.
Some riders I have tried to teach simply cannot do it. Unfortunately to
train a horse properly you have to be an outstanding rider. My husband
consoles me when I’m feeling badly about someone who has tried and
failed, and who returns to some other method. He says that if anyone
could learn to train horses, then there would be more Reiner Klimke’s
around.
According to
Zettl, the “deep” which
has been practiced by some successful Olympic riders is nothing new. It
was well known and involved “breaking the horse’s will and
initiative” by forcing the horse to give in.
Eventually that training method was abandoned and it’s
proponents returned to the classical and natural training methods.
Sadly, I went through the same experience and also abandoned the
“bridge” and returned to riding the hindquarters by allowing the
horse to use his head and neck and body like an accordion.
I’ve seen other riders trying to accomplish the same thing.
It’s not simply riding the horse with his head up in the air. There
are subtlies that make all the difference.
It has taken me a lifetime to achieve the results that I am now
enjoying.
Force is wrong.
In his article Zettl lists some opponents to the “deep” method
citing: Louis Seeger (1798-1865) and Gustaf Steinbrecht; and in France
including Count d’Aure, the chief trainer at Saumur. “All of these
opponents of Baucher’s methods warned riders that using force to train
a horse is the wrong way and does not have anything to do with the
harmony between horse and rider. It enslaves the horses.”
“Short and
deep” riding is counterproductive to the gymnastic development of the
horse according to Zettl, and I completely agree from experience, been
there, done that, and then moved on. Unfortunately I was impressed by
the success that certain riders were having, which success was being
attributed to their training methods. I attended many clinics where the
same method was being touted. At
the time I didn’t really understand the classical method and although
I thought I was doing it right, I now know what I was doing wrong, but
it has taken me more than ten stubborn years of commitment to get to the
point were I am now with The System.
“In the short
and deep frame, the loosening of the musculature and joints is not
possible.” I can feel my horses loosening when I am able to move their
entire body like an accordion in total harmony. This is primarily what I
think is missing in most of the training I’ve seen. The reason it’s
missing I believe is that the horse can not do it, and he can not do it
not because his is a cripple, he can’t do it because he has not been
trained properly. I maintain that any horse can do it, as long as he is
of sound mind and body and has not been abused or ruined by bad
training.
“The young
horse’s impulsion and desire to go forward is eliminated when he is
forced to go in this short and deep frame.” Zettl goes on to say that:
“In time, the gaits lose their expression and freedom and soon are
made shorter-particularly the walk, which has no impulsion naturally.
This is the reason that almost no clear four-beat walks are seen in
modern Grand Prix dressage competitions. …What is intended to be a
collected trot is actually working trot, because the rider knows that he
must avoid a trot that is too passage-like because such a trot would be
criticized. The canter is choppy from having been collected prematurely.
The transitions are poorly done, and the horses’ necks are too
short.” I say, amen to that.
One of the best
tests to ask the rider to perform is to ask for a canter pirouette.
If the horse can not support his weight on his hindquarters and
perform the movement without a rocking horse appearance with the head
bobbing up and down, than the horse needs to be returned to proper basic
training. The next thing I ask is to see how the horse can accelerate
into an extended canter from a collected canter and then back again
without loosing his balance, rhythm and engagement.
Read the
following denunciation of the “short and deep” method by Walter
Zettl:
“The horse is
made a slave without a soul by this [deep] training. He produces
exercises that are mechanical and totally lacking in expression and
appeal. His shoulders are blocked by the short and deep frame. Despite
increased driving aids, his hind legs cannot step under himself
sufficiently to strengthen and supple his back, which has to carry the
added weight of saddle and rider.”
“The horse’s
hind legs, which are being driven forward, cannot step under his body in
this short and deep frame and therefore must step higher or wider. The
effect of the rider’s hands cannot be directed correctly back to the
horse’s hind legs in this situation, every half-halt or full halt done
when the horse’s neck is too short ‘escapes’ through the third
vertebra in the neck. Every subsequent half-halt shortens the neck even
more. In addition, this short and deep neck position restricts the
horse’s freedom to breath. Horses ridden in this position become
frightened and panicky and sometimes develop respiratory diseases.”
“I would like
to warn those who would sacrifice our poor horses in trying to achieve
quick success not to be blinded by the success of a few who use this
“short and deep” method of training. It is a violation of our
horses, whose well-being should be our first responsibility.